CÓMO DOMINAR LA FOTOGRAFÍA DIGITAL
-5%

CÓMO DOMINAR LA FOTOGRAFÍA DIGITAL

GUIRAO, GINÉS

39,95 €
37,95 €
IVA incluido
Editorial:
MARCOMBO
Año de edición:
2023
Materia
Fotografía y fotógrafos
ISBN:
978-84-267-3670-3
Páginas:
392
Encuadernación:
Rústica
Colección:
FONDO
39,95 €
37,95 €
IVA incluido

Introducción ························································································01
¿Serán necesarios nuevos conocimientos
para el dominio de la fotografía digital? ·······················································05
Fotografía analógica ·······················································································05
El negativo fotográfico ····················································································06
Película de color ·······························································································08
La diapositiva fotográfica ···············································································08
Escáneres de película ·····················································································09
La fotografía digital y sus medios ·································································10
Comprobación instantánea ············································································12
Reproducir los archivos en papel ··································································12
Ventajas de la fotografía digital ·····································································13
Algunas «desventajas» de la fotografía digital ············································13
Formatos de archivo de la imagen digital ····················································15
Compresión sin pérdidas ················································································16
Partes de la cámara fotográfica digital ················································19
El sensor ···········································································································20
El visor ···············································································································24
El objetivo ·········································································································28
El diafragma ·····································································································35
El obturador ······································································································38
Los botones y diales de control ·····································································40
La pantalla trasera ···························································································41
Medios de almacenamiento ··········································································43
Conexión wifi ····································································································45
El vídeo ··············································································································48
Cómo sostener bien la cámara ····························································57
Cómo sujetar correctamente la cámara
y decir adiós a las fotos movidas ··································································58
¿Disparar en manual o automático? ·····················································65
Modos manuales y automáticos ···································································66
Disparar en manual: ¿sí o no? ········································································67
Una buena reflexión ························································································71
La cámara no hace al fotógrafo ····································································71
Encuadrar la escena correctamente ·····················································75
¿Qué es el «encuadre de una fotografía»? ···················································76
La dinámica del encuadre ··············································································77
Tipos de encuadre ···························································································77
Recursos útiles para aprender
a resaltar la fotografía ·····················································································80
El enfoque (manual y automático) ·······················································85
¿Cómo enfocar en fotografía? ·······································································86
En manual y en automático ···········································································87
Puntos de enfoque en fotografía ···································································88
Los diferentes puntos de enfoque
en fotografía ·····································································································89
Modos de área de autoenfoque ····································································90
Modos de enfoque de la cámara ···································································91
Cómo enfocar en fotografía ···········································································91
Conclusión ········································································································96
La exposición en fotografía y sus ajustes ············································99
Cómo comprender la «exposición» en fotografía ·····································100
El valor de exposición ···················································································102
El equilibrio en la exposición ········································································104
Cómo medir la exposición en fotografía: el fotómetro ·····························107
Modos de medición de la exposición ·························································108
La compensación de exposición ·································································109
De lo que hemos aprendido ·········································································111
El color de la luz ················································································113
De dónde viene el color de los objetos ·······················································114
Sensor y procesador ·····················································································119
Tipos de cámara y sus sistemas asociados ·······································123
Tipos de cámaras fotográficas ····································································124
Cámaras digitales compactas ·····································································124
Las cámaras compactas digitales de gama alta ······································126
Cámaras bridge ······························································································127
Cámaras réflex o dslr digitales ····································································130
Cámaras profesionales ·················································································132
Cámaras sin espejo (mirrorless) ··································································136
Cámaras de medio formato ·········································································140
Cámaras de acción ·······················································································145
Cámaras instantáneas ··················································································148
Sistemas de cámaras y tamaño del sensor ··············································150
Full frame ········································································································155
Objetivos fijos, objetivos intercambiables ··········································161
Gran angular ···································································································163
Teleobjetivo ····································································································164
Objetivos zoom ······························································································165
Objetivos especiales ·····················································································167
Consejos ·········································································································170
Controlar la iluminación ····································································173
Controlar la iluminación ················································································174
Arte fotográfico ·················································································187
Introducción ···································································································188
Medios de almacenamiento ·······························································219
Introducción y contexto ················································································220
Retoque básico de fotografías ···························································227
Introducción ···································································································228
Ajustes ············································································································233
Retoque avanzado de fotografías ······················································285
Introducción ···································································································286
Definir el color frontal y de fondo ································································287
Herramientas ·································································································290
Dibujo de formas ···························································································294
Capas ··············································································································296
Usar las reglas, las guías y las cuadrículas ················································298
Retoques ·········································································································303
Luz para enfocar: la iluminación desenfocada ··········································312
Aplicar color a objetos en blanco y negro ··················································315
Añadir movimiento ························································································318
Enfocar el centro de una imagen
o desenfocar el entorno ················································································320
Solucionar el efecto keystoning ···································································324
Cambiar el color en partes concretas de una imagen ·····························325
Cambiar el cielo de una imagen ··································································329
Fotos panorámicas ·······················································································334
Fusionar imágenes ························································································339
Complementos
y accesorios ······················································································345
¿Qué son los «complementos y accesorios fotográficos»? ····················346
Fotografiar con smartphones ······································································361
¿Qué nos impulsa a tomar fotografías con un smartphone? ··················362
Unos apuntes y sugerencias ········································································365
Las redes sociales: cómo imprimir nuestras fotografías ····················371
¿Qué son las «redes sociales»? ···································································372
La importancia de la imagen en las redes sociales ··································376
Cómo imprimir nuestras fotografías ··························································377
Preparar las fotos para imprimir ·································································381

1.1AJ;AJG 01.1 10000000000000000

Artículos relacionados

  • MADRID COMO OBRA DE ARTE
    HUERGO CARDOSO, HUMBERTO
    La fotografía vista desde Madrid, en tiempos de las vanguardiasartísticas.Existen muchas historias meritorias de la fotografía deôvanguardiaö en España. Ésta es distinta. Su centro no está enBarcelona, sino en Madrid, y sus protagonistas no se llaman SalvadorDalí y Pere Català i Pic, que también, sino Ramón Gómez de la Serna,Miguel de Unamuno, Vicente Salas Viú, Luis Bello, Jos...
    En stock

    30,00 €28,50 €

  • LAS FOTOS
    ULANOVSKY, INÉS
    "Las fotos" es una colección de revelaciones donde Inés Ulanovsky investiga y recompone aquellas historias sorprendentes que hay detrás de fotografías encontradas.Esto que tienes entre manos es, además de un libro, una colección de revelaciones. A partir del hilo conductor de una serie de fotografías que provienen de su archivo personal o que aparecen en algún momento, Inés Ula...
    En stock

    18,00 €17,10 €

  • FOTO:BOX
    Un viaje único por la historia de la fotografía de la mano de los grandes maestros. Desde el nacimiento de la fotografía hasta la época actual, este libro reúne 250 imágenes de los maestros de la disciplina, desde Henri Cartier-Bresson o Peter Marlowe hasta Annie Leibovitz o Nan Goldin. A través de doce categorías (arte, reportaje, guerra, desnudo, ciudades…), cada fotografía s...
    En stock

    29,95 €28,45 €

  • MADRID (MANSO)
    MANSO, FERNANDO
    Un fascinante recorrido por Madrid a cargo del fotógrafo que mejor ha retratado la capital. Fernando Manso es un fotógrafo que trabaja con cámara de placas y tiempos de exposición muy lentos. Cada instantánea lleva horas de preparación, y el resultado impresiona, ya que logra dotar de una belleza singular a imágenes en las que nadie parecía haberse fijado. El Palacio de Cristal...
    En stock

    29,95 €28,45 €

  • AL FINAL TODO LLEGA
    ROBLES, DAVID
    Una vía muerta de tren, un sanatorio me-dio derruido por el tiempo, la antigua fábri-ca de Clesa, viejos muñecos olvidados. A través de sus fotografías, el autor nos lleva de viaje por unos decorados en pleno tránsito hacia no se sabe muy bien qué. Uno podría pensar al contemplar las imágenes que el destino es aciago y desolador, pero él no duda en afirmar que el mensaje implíc...
    En stock

    37,00 €35,15 €

  • FORBIDDEN FRANCE
    BRINAERT, ROBIN
    Forbidden France forma parte de la colección de Libros de Fotografía y es el resultado de diez años de exploración por toda Francia. Los lugares recogidos en este libro tienen sus propias historias que contar, en un abanico de voces. Castillos perdidos en la noche de los tiempos, grandes fincas de caza de la nobleza francesa, edificios históricos cerrados al público, una fábric...
    En stock

    39,95 €37,95 €

Otros libros del autor

  • FOTOGRAFÍA INFRARROJA. FUNDAMENTOS Y SECRETOS
    GUIRAO, GINÉS
    Si quiere aprender a realizar sus propias fotografías digitales infrarrojas sin grandes esfuerzos y con resultados favorables, ha llegado al libro indicado. Tiene a su alcance el primer manual de fotografía infrarroja en castellano, en el que encontrará consejos, sugerencias y orientaciones de mano de un experto en el tema. Con él, aprenderá paso a paso el apasionante e invisi...
    En stock

    22,80 €21,66 €