With an Introduction and Notes by John M.L. Drew, University of Buckingham Wilde's only novel, first published in 1890, is a brilliantly designed puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life, and consequence. From its provocative Preface, challenging the reader to believe in 'art for art's sake', to its sensational conclusion, the story self-consciously experiments with the notion of sin as an element of design. Yet Wilde himself underestimated the consequences of his experiment, and its capacity to outrage the Victorian establishment. Its words returned to haunt him in his court appearances in 1895, and he later recalled the 'note of doom' which runs like 'a purple thread' through its carefully crafted prose. AUTHOR "I have put my genius into my life, all I have put into my works is my talents". In many ways, the written works of Oscar Wilde (1854-1900) are overshadowed by the drama of his life, and the incandescence of his personality, but they should not be undervalued. Whether it is the wit of his plays, the intriguing premise of his only novel, 'The Picture of Dorian Gray, the sporadic brilliance of his poetry or the delightful charm of his children's stories, not just the talent but the genius of the man shines through.
